Magnetic Recording the First 100 Years

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Edition: 1st
Format: Paperback
Pub. Date: 1998-08-31
Publisher(s): Wiley-IEEE Press
List Price: $185.54

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Summary

"The first magnetic recording device was demonstrated and patented by the Danish inventor Valdemar Poulsen in 1898. Poulsen made a magnetic recording of his voice on a length of piano wire. MAGNETIC RECORDING traces the development of the watershed products and the technical breakthroughs in magnetic recording that took place during the century from Paulsen's experiment to today's ubiquitous audio, video, and data recording technologies including tape recorders, video cassette recorders, and computer hard drives. An international author team brings a unique perspective, drawn from professional experience, to the history of magnetic recording applications. Their key insights shed light on how magnetic recording triumphed over all competing technologies and revolutionized the music, radio, television and computer industries. They also show how these developments offer opportunities for applications in the future. MAGNETIC RECORDING features 116 illustrations, including 92 photographs of historic magnetic recording machines and their inventors." Sponsored by: IEEE Magnetics Society

Author Biography

About the Editors Eric D. Daniel has worked in magnetic recording since 1947. He worked ten years with the BBC Research Department, three years at the National Bureau of Standards, two years at Ampex, and twenty years at Memorex. As Director of Research at Memorex, Mr. Daniel worked on a wide variety of magnetic recording media, including computer, instrumentation, video and audio tape products, and rigid and flexible disks. In 1979 he was elected as a Fellow of Memorex, and in 1982 he retired from full-time employment.

Table of Contents

Acknowledgments xv(2)
Contributors xvii
Chapter 1 Introduction
1(5)
C. Denis Mee
Eric D. Daniel
The Growth of Magnetic Recording
1(1)
The Four Enduring Product Formats
2(2)
A Look at the Future
4(2)
AUDIO RECORDING 6(118)
Chapter 2 The Magnetic Recording of Sound
6(9)
Mark H. Clark
Oberlin Smith's Idea
7(3)
Making Magnetic Recording Work
10(1)
Biasing Techniques
11(1)
Media and Head Design
11(2)
Applications
13(1)
Impact
13(1)
References
14(1)
Chapter 3 The Telegraphone
15(15)
Mark H. Clark
Henry Nielsen
Inventing the Telegraphone
15(2)
Research, Development, and the German Partnerships
17(1)
The Paris Exhibition
18(3)
Conflict in Germany
21(1)
A New Danish Strategy
22(1)
Negotiations with American Investors
23(1)
The American Telegraphone Company
24(4)
Conclusion
28(1)
References
29(1)
Chapter 4 Steel Tape and Wire Recorders
30(17)
Mark H. Clark
Germany
30(1)
The United Kingdom
33(4)
The United States
37(6)
Bell Telephone Laboratories
38(1)
The Brush Development Company
39(2)
The Armour Research Foundation
41(2)
Sweden
43(1)
Japan
44(1)
References
45(2)
Chapter 5 The Introduction of the Magnetophon
47(25)
Friedrich K. Engel
The Birth of Coated Magnetic Tape
47(3)
Fritz Pfleumer's Invention
47(2)
The Entry of AEG
49(1)
Joint Development of the Magnetophon Recorder and Tape
50(6)
BASF Joins the Team
50(1)
The First Experimental Tape Recorder
50(1)
Eduard Schuller's Invention of the Ring Head
51(1)
The Development of Coated Tape
52(1)
Improved Laboratory Recorders
53(1)
The Name Magnetophon Is Chosen
54(1)
The Fourth Lab Model
55(1)
The First Production Tape Recorder: Magnetophon K1
56(1)
The Debut of the Magnetophon Tape Recorder
56(2)
The Magnetophon Goes into Production
58(3)
Magnetite Replaces Carbonyl Iron
58(2)
From Magnetophon K1 to Magnetophon K4
60(1)
The Magnetophon Pays a Brief Visit to America
60(1)
A Promising New Oxide: Gamma Ferric Oxide
60(1)
The Main Users of the Magnetophon
61(1)
The Magnetophon's Recording Performance
62(1)
The Big Leap in Quality: AC Bias Recording
63(2)
Wartime Developments
65(2)
A New Tape Base Material: PVC
65(1)
AEG and BASF Launch Magnetophon GmbH
66(1)
Postwar Developments
67(3)
The Birth of the Consumer Market
70(1)
Sources
70(2)
Chapter 6 Building on the Magnetophon
72(20)
Beverley R. Gooch
Coated Tape Development in the United States
73(3)
Early Experiments
73(1)
Tape Improvements
74(2)
Consumer Recorders
76(4)
The Brush Mail-A-Voice
76(1)
The Brush Soundmirror
77(2)
The Expanding Consumer Market
79(1)
Semiprofessional Recorders: The Magnecorders
80(3)
Ampex Professional Recorders
83(6)
The Origins of Ampex
83(1)
The Development of the Model 200
84(3)
The Introduction of the Model 200
87(2)
Other Professional Recorders
89(1)
Conclusion
90(1)
References
90(2)
Chapter 7 Product Diversification
92(18)
Mark H. Clark
Professional Audio Recording
93(3)
High-Quality Recorders for Broadcast Use
93(1)
Master Recorders for Studio Use
93(1)
Multitrack Recorders for Popular Music
94(2)
Consumer Audio Recording
96(12)
Open-Reel Recorders
96(2)
The 8-Track Cartridge
98(3)
Early Tape Cassettes
101(1)
Introduction of the Philips Compact Cassette
102(1)
Licensing Tactics
103(1)
Cassette Tape Improvements
104(1)
Electronic Noise Reduction
105(1)
Duplication of Prerecorded Cassettes
106(1)
Other Cassette Applications
107(1)
Conclusions
108(1)
References
109(1)
Chapter 8 The History of Digital Audio
110(14)
John R. Watkinson
Principles of Digital Audio
110(4)
Advantages of Digital Audio
114(1)
Digital Audio Recording Principles
115(3)
Practical Digital Recorders
118(1)
Digital Audio Based on a Hard Disk
119(1)
Stationary-Head Digital Audio Recording
119(1)
Rotary-Head Digital Audio Recording
120(2)
Conclusions
122(1)
References
122(2)
VIDEO RECORDING 124(97)
Chapter 9 The Challenge of Recording Video
124(13)
Frederick M. Remley
The Nature of Video Signals
125(1)
Adding Color to Television
126(1)
Recording Video Signals on Film
127(2)
Magnetic Video Recording: Early Experiments
129(1)
The First Broadcast-Quality Magnetic Video Recorder
130(1)
Video Recorders for Home Use
131(1)
Operational Factors Affecting Video Recorder Design
131(1)
Television Production Requirements for Recording Systems
132(3)
Television Production Processes
132(1)
Program Exchange and Recording Standards
133(2)
Summary
135(1)
References
136(1)
Chapter 10 Early Fixed-Head Video Recorders
137(16)
Finn Jorgensen
The Main Players
137(4)
Approaches to Recording a Black-and-White Video Signal
141(3)
Improved Recorders Appear in 1954, with Color
144(1)
Technology Advances, 1947-1956
145(3)
Better Tape Handling
146(1)
True Phase Equalization at High Frequencies
147(1)
Improved Heads
148(1)
From the Mid-1950s to Now
148(3)
Acknowledgments
151(1)
References
152(1)
Chapter 11 The Ampex Quadruplex Recorders
153(17)
John C. Mallinson
Early Rotary-Head Video Recorder Attempts
154(1)
The First Quadruplex Recorder (VRX-1000)
155(5)
Subsequent Developments
160(5)
The VR-1000
160(2)
The VR-2000
162(3)
Related Developments
165(2)
The Videofile
165(1)
The Tera-Bit Memory
166(1)
The Digital Cassette Recording System (DCRS)
166(1)
The Demise of Quadruplex Video Recorders
167(1)
Conclusions
168(1)
Acknowledgments
168(1)
References
169(1)
Chapter 12 Helical-Scan Recorders for Broadcasting
170(12)
Hiroshi Sugaya
Video Recorders for Educational and Institutional Use
170(3)
The Beginning of Competition for the Ampex Quad Recorder
173(2)
The First Helical-Scan Recorder to Replace the Quad Recorder
175(2)
A Broadcast Video Recorder for Electronic News Gathering
177(1)
Competition in the Broadcast Video Recorder Industry
178(2)
A New Concept: Automatic Cassette Recorders
180(1)
The Digital Video Era
181(1)
References
181(1)
Chapter 13 Consumer Video Recorders
182(19)
Hiroshi Sugaya
The Challenge of Fixed-Head Consumer Video Recorders
182(1)
The Development of Helically Scanned Home Video Recorders
183(3)
Cassette (Two Reels) or Cartridge (One Reel)?
186(3)
Betamax (Beta) Versus VHS in Japan
189(2)
Beta Versus VHS in the United States
191(1)
Beta Versus VHS in Europe
192(1)
The First 8 mm Video Format Conference
193(2)
The VHS Compact Cassette (VHS-C)
195(1)
The Development of Video Tape
196(1)
Home Digital Video Cassette Recorders
197(2)
Tape Duplication
199(1)
References
200(1)
Chapter 14 Digital Video Recording
201(20)
Koichi Sadashige
Digital Recording of Analog Signals
201(5)
The First Proposal for Digitization of an Analog Signal
201(1)
Attempts to Digitize Sound Recording
202(1)
Digital Conversion of a Video Signal
203(1)
Digital Islands in the Analog Sea
204(1)
High-Density Recording Technology
205(1)
Instrumentation Recording
205(1)
Running on a Mile-Long Bridge That Is Only 2 Feet Wide
205(1)
The Road to D-1
206(4)
Initial Experimentation on Digital Video Recording
206(2)
Digital Video Recorder Standardization Activities
208(1)
The First Digital Video Recorder
209(1)
Composite Video Digital Recording
210(1)
The Need for a Composite Video Digital Recorder
210(1)
The Quest for a Single Recording Format for All Broadcast Applications
211(1)
Data Compression
211(2)
Emerging Needs for Data Compression
211(1)
Data Compression in Broadcast and Teleproduction Recorders
212(1)
HDTV Digital Recording
213(1)
Digital Recording of a High-Definition Television Signal
213(1)
Compressed Data Recording of an HDTV Signal
214(1)
DV, Digital Video
214(2)
DV, Universal Digital Recording Format for Consumers and Professionals
214(1)
Broadcast-Quality VHS Derivative with DV-Based Data Compression
215(1)
D-VHS, The Latest Member of the VHS Family
216(1)
Disk Recorders for Digital Video Applications
216(2)
Looking into the Future
218(1)
References
219(2)
DATA RECORDING 221(112)
Chapter 15 Capturing Data Magnetically
221(16)
James E. Monson
Storing Data
221(2)
Computer Applications
221(1)
Other Applications
222(1)
Data Storage Requirements
223(4)
Short-Term Versus Long-Term Memory
223(1)
Transfer Rate, Speed, and Access Time
223(1)
Storage Density
224(1)
Reliability
225(1)
Operating Environments
225(1)
Cost
225(1)
Removability and Portability
226(1)
Archivability
226(1)
Early Computer Storage Systems
227(1)
The Memory Hierarchy
228(2)
The Digital Magnetic Recording Process
230(5)
Storage of Bits of Information on Magnetic Media
230(1)
Writing
230(1)
Reading
231(1)
Head-Medium Interface
231(1)
Tracking and Accessing Data Mechanically
232(1)
Storing and Retrieving Data from Magnetic Memory
233(2)
Conclusion
235(1)
References
236(1)
Chapter 16 Data Storage on Drums
237(15)
Sidney M. Rubens
The Development of Magnetic Drum Technology
237(2)
Recording Media
239(7)
Magnetic Drums at Harvard University
246(1)
The University of Manchester Computer
246(1)
Magnetic Drum Developments at IBM
247(1)
Drums for Peripheral Storage
248(3)
References
251(1)
Chapter 17 Data Storage on Tape
252(18)
William B. Phillips
Five Decades of Half-Inch Tape Storage
253(1)
The Uniservo I: The First Digital Tape Recorder
254(1)
IBM Enters the Computer Market
255(1)
The IBM 726 Tape Drive
256(4)
Improvements in Half-Inch Tape Systems
260(1)
IBM Tape Drives Using 10.5-Inch Reels
260(1)
New Form Factors for Data Tape Storage
261(1)
The IBM 3480 Tape Cartridge Family
261(2)
Consumer Recorder Applications
263(2)
Low-Cost Solutions
265(1)
Tape Libraries and Automation
266(2)
Other Impacts on Tape Storage System Design
268(1)
Summary
269(1)
References
269(1)
Chapter 18 Data Storage on Hard Magnetic Disks
270(30)
Louis D. Stevens
The Development of RAMAC
271(10)
Processing Data Files Stored on Magnetic Tape
272(1)
Starting a New Laboratory
273(1)
The Source Recording Project and the Choice of Disks
274(1)
A Broader View of Disk Storage
275(1)
The Disk Project Gets Moving on Some Hardware
276(2)
Designing the 350 RAMAC Disk Drive
278(2)
A Decision to Build Machines for Field Testing
280(1)
RAMAC Is Headed for Announcement
280(1)
The Evolution of Magnetic Disk Storage
281(17)
Self-Acting Hydrodynamic Sliders
281(3)
The Removable Disk Pack
284(2)
Track-Following Servo
286(1)
Low-Mass, Lightly Loaded Sliders
287(2)
Return to Fixed Disks
289(1)
Thin-Film Heads
290(2)
Smaller Diameter Disks
292(2)
Magnetoresistive Read Heads, Thin-Film Disks, and PRML Channels
294(4)
Summary
298(1)
References
298(2)
Chapter 19 Data Storage on Floppy Disks
300(16)
David L. Noble
Computer Operations
301(1)
Fundamental Concepts
302(3)
The Write Requirement
305(4)
The Personal Computer
309(4)
High-Capacity Designs
313(1)
References
314(2)
Chapter 20 Instrumentation Recording on Magnetic Tape
316(17)
Finn Jorgensen
Early Data Recording Using Modified Audio Recorders (1935-1950)
316(1)
The First Multichannel Instrumentation Recorders (1950-1980s)
317(5)
Technology Refinements to Instrumentation Recorders Used in Space Telemetry (1960-1990)
322(5)
Signal Linearity
323(1)
Amplitude Variations
323(1)
Wideband Signal Spectrum
323(1)
Signal-to-Noise Ratio
324(1)
Phase Versus Frequency Response
325(1)
Precision Tape Transport
326(1)
Timing Errors Between Tracks
327(1)
High-Density Digital Recording (1970-Current)
327(1)
Digital Video Tape Recorders in Instrumentation
328(2)
An Era Fades Away
330(1)
Acknowledgment
331(1)
References
331(2)
Index 333(8)
About the Editors 341

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